Isabelle Redfern
-
- © Uwe Hauth
Isabelle Redfern
- Contact
-
Agentur Neidig
Claudia Neidig
Wiclefstr. 2
10551 Berlin
fon +49(0)30 398 89 420
fon +49(0)221 300 65 660
mail@neidig.org
- Year of birth / Acting age
- 1976 / 42 - 52 Years
- Place of residence
- Berlin
- Accommodation
- Berlin / Potsdam | Dresden | Hamburg | Cologne | Munich | Vienna | Zurich
- Tax residence
- Berlin
- currently guest engagement at a theatre in
- Wien - Burgtheater
- Nationality
- Germany | The United States
- Height
- 172 cm
- Hair colour
- brown/brunette
- Eye colour
- brown
- Pitch of voice
- Mezzo-soprano
- Language(s)
- German | English (fluent) | French (fluent) | Swedish (fluent) | Spanish (Basic skills)
- Dialects/Accents
- GER - Bavarian
- Singing
- chanson | jazz | classical music | pop
- Dance
- stage dance | flamenco | modern dance | salsa | tango | theatrical dance
- Musical instruments
- guitar | piano | drums
- Sports
- stage fight | speed skating | juggling | climbing | horse riding | yoga
- Special features
- conducting | singer | presenting | speaker / narrator | dubbing | dance
- Driving licence
- B - Car
| from | to | Play | Role | Director | Casting Director | Theatre | |
|---|---|---|---|---|---|---|---|
| 2022 | Die Ärztin | Jemina Flint | Robert Icke | Burgtheater Wien | |||
| 2021 | Ödipus | Theresa | Thomas Ostermeier | Schaubühne Berlin | |||
| 2021 | Beyond Caring | Becky | Alexander Zeldin | Schaubühne Berlin | |||
| 2020 | Rückkehr nach Reims (Roman von Didier Eribon) | Isabelle | Thomas Ostermeier | Schaubühne Berlin | |||
| 2019 | Orlando | diverse | Katie Mitchell | Schaubühne Berlin und Théatre de l´Odéon, Paris | |||
| 2019 | Abgrund | Anna | Thomas Ostermeier | Schaubühne Berlin, Théatre Seaux, Paris | |||
| 2019 | "Elektra" von Christian Cannabich | Elektra | Frieder Bernius | Musik Podium Stuttgart e.V. | |||
| 2017 | Mittelreich | Theres, Kammersängerin | Anta Helena Recke | Kammer 1 Der Münchner Kammerspiele | |||
| 2016 | Geächtet | Jory | Klaus Schumacher | Deutsches Schauspielhaus Hamburg | |||
| 2016 | Geächtet | Jory | Tina Lanik | Burgtheater Wien | |||
| 2016 | Geächtet | Jory | Antoine Uitdehaag | Residenztheater München | |||
| 2015 | Mais in Deutschland und anderen Galaxien | Lila / Anni | Atif Mohammed Nor Hussein | Ballhaus Naunynstraße | |||
| 2014 | Mein bester Freund | Soraya | Dieter Hallervorden | Schlosspark Theater Berlin | |||
| 2014 | Plantation Memories | Three | Grada Kilomba | Ballhaus Naunynstrasse | |||
| 2014 | Geschwister im Leerlauf/Frankophone Realitäten | Monolog | Georgia Doll | GORKI Theater Berlin | |||
| 2014 | Morgen früh, wenn Gott will... Britten Opus 41 | Kitty | Isabelle Redfern | Sophiensaele/100° Festival Berlin | |||
| 2013 | Abkommen - aus der Reihe RAUS NEUE DEUTSCHE STÜCKE | Elyas u.a. | Miraz Bezar | Maxim Gorki Theater | |||
| 2013 | Ich waren wir-Wir waren ich, aus der Reihe RAUS NEUE DEUTSCHE STÜCKE | Amira | Brit Bartkowiak | Maxim Gorki Theater | |||
| 2011 | 2011 | Tannhäuser | Chor | Sebastian Baumgarten | Bayreuther Festspiele | ||
| 2010 | 2011 | Meistersinger | Lehrbube | Katharina Wagner | Bayreuther Festspiele | ||
| 2010 | 2011 | Parsifal | Chor | Stefan Herheim | Bayreuther Festspiele | ||
| 2010 | 2011 | Lohengrin | Chor | Hans Neuenfels | Bayreuther Festspiele | ||
| 2010 | 2010 | Brehms Frauenleben | Frau | Isabelle Redfern/MamaNoSing | Sophiensäele, Berlin | ||
| 2009 | 2010 | Tristan und Isolde, Isolde, Isolde | Brangäne | Franziska Kronfoth | Prater der Volksbühne, Berlin | ||
| 2009 | 2010 | Ab nach Memphis | Meggy | Peter Kastenmüller | Maxim Gorki Theater, Berlin | ||
| 2005 | 2006 | Big in Bombay | Constanza Macras (Choreographie) | Schaubühne am Lehniner Platz; Berlin | |||
| 2003 | 2006 | Nora | Aupair-Mädchen | Thomas Ostermeier | Schaubühne am Lehniner Platz, Berlin | ||
| 2002 | 2002 | Alice in Cumberland | Sisi | Henner Kallmeyer | Staatsoper Hannover | ||
| 2000 | 2001 | Hystericon | Mädchen | Dirk Engler | Halle 7, München | ||
| 2000 | 2001 | POEtry | Lady Madelaine | Robert Wilson | Thalia Theater Hamburg | ||
| 2000 | Der kleine Horrorladen | Girl | Hubert Kross | Nordharzer Theater, Bergtheater Thale | |||
| 1999 | 2000 | MoMo | Verschiedene | Marc Zurmühle | Deutsches Theater Göttingen | ||
| 1999 | 2000 | Non, je ne comprends rien (Ein Abend ohne Edith ) | La chanteuse | Isabelle Redfern/Donato Deliano | Deutsches Theater Göttingen | ||
| 1999 | Pariser Leben | Métella/Louise | Marc Zurmühle | Deutsches Theater Göttingen | |||
| 1999 | Don Juan kommt aus dem Krieg | Don Juan | Claire Lütcke | Theater an der Glocksee Hannover | |||
| 1998 | 1999 | Nathan der Weise | Sängerin | Marc Zurmühle | Staatstheater Hannover | ||
| 1998 | Zaide | Zaide | Michael Heicks | Staatstheater Braunschweig | |||
| 1997 | 1998 | Zaide | Zaide | Michael Heicks | Staatstheater Braunschweig | ||
| 1997 | 1998 | Der Jasager und der Neinsager | Mutter | Jürgen Zielinski | Staatstheater Braunschweig | ||
| 1997 | 1998 | Du bist nicht Elvis | Maria | Jürgen Zielinski | Staatstheater Braunschweig | ||
| 1996 | 1998 | Besuch bei Katt und Fredda | Katt | Nina Vogel | Staatstheater Braunschweig | ||
| 1996 | 1996 | Don Juan kommt aus dem Krieg | Don Juan | Claire Lüdcke | Theater an der Glocksee, Hannover | ||
| 1995 | 1996 | Inferno d'Amore | Julia | Kirsten Harms | Staatsoper Hannover | ||
| 1993 | 1996 | Sommernachtstraum | Motte | Jens Schmidl | Staatstheater Hannover |
| from | to | ||||
|---|---|---|---|---|---|
| 1993 | 1997 | Schauspieldiplom Hochschule für Musik und Theater Hannover | |||
| 2002 | 2006 | Klassischen Gesang UdK Berlin | |||
| 2006 | 2015 | Klassische Gesangsausbildung bei Miriam Gordon-Stewart, Prof. Charlotte Lehmann, John Norris - Contraalto | |||
| Special features (selection) | |||||
|
- Musikstudium an der Universität der Künste, Berlin - Konzerterfahrung, v.a. romantisches Fach, Contraalto - Moderation und Sprechertätigkeit für RBB - Kriminalhörspiele für DeutschlandRadio, RBB - Gastspiele mitHamburger Thalia Theater und der Schaubühne am Lehniner Platz, Berlin nach Amsterdam, Avignon, Paris, Belgrad, Istanbul, Prag. - Berufspraxis als Grundschul- und Musiklehrerin |
|||||
Isabelle Redfern is originally from Munich and loves to sing, especially German Lied from the Romantic era, such as Brahms and Schumann. During the lockdown she even rediscovered her guitar and taught herself some folksongs. And she rediscovered drawing and painting with water colours, exploring Gouache for the first time. When it is too cold to paddle with the SUP on Berlin's lakes the yoga-teacher loves to practice yoga by herself. She loves to listen to audio books before bedtime, especially those her daughter recommended.
Isabelle had been a member of the Schaubühne Berlin for the last 3 years, where she is still performing in different plays of Thomas Ostermeier and Katie Mitchell. She has been working at other renowned theaters in Germany and Austria: the Burgtheater in Vienna, Kammerspiele Munich, Residenztheater Munich, Thalia Theater Hamburg, Schauspielhaus Hamburg and others.
As a singer, Isabelle Redfern joined the opera choir of the "Richard Wagner Festival" in Bayreuth and performed as a solo singer in different off-opera productions with her company "MamaNoSing!".
Next season she will be working as a director in Darmstadt, bringing the novel “3 comrades” of Shida Bazyar on stage. As well as "Sistas!", a new interpretation of Cechovs play “3 sisters”, that will be produced in Berlin.
Isabelle Redfern is a regular guest at the "Musikpodium Stuttgart". A very first recording of Christian Cannabichs “Electra” was released in 2020 and last summer an open air show of Mendelssohns "Midsummer night’s dream" was staged 4 times at the Castle Solitude.
Isabelle Redfern latest audio book was released in February 2022: Leïla Slimani’s "Le parfum des fleurs la nuit". Isabelle Redfern latest camera work was for German series “In aller Freundschaft” for ZDF and “Souls” for Sky TV.
2019 - ITI-Preis für "Mittelreich"/Schwarzkopie vom Internationalen Theaterinstitut
