Iris von Kluge
-
- © Elena Zaucke
Iris von Kluge
- Contact
-
Goldbaum Management
Chun Mei Tan
Goltzstr. 39
10781 Berlin
fon +49 30 219 699 08
info@goldbaum-management.de
- Year of birth / Acting age
- 1965 / 45 - 61 Years
- Place of residence
- Wentorf bei Hamburg
- Accommodation
- Berlin / Potsdam | Hamburg | Cologne | Zurich
- Tax residence
- Schleswig-Holstein
- Nationality
- Germany
- grew up in
- Taunusstein / Wiesbaden
- Height
- 172 cm
- Figure / Build
- average
- Hair colour
- blonde
- Eye colour
- green
- Pitch of voice
- Mezzo-soprano
- Language(s)
- German | English (fluent) | French (Basic skills) | Italian (Basic skills)
- Dialects/Accents
- GER - Berlin | GER - Hessian
- Singing
- vocal training | backing vocal | ballad | chanson | choir | jazz | classical music | pop | rock | soul
- Dance
- ballet | jazz dance | modern dance | step
- Musical instruments
- guitar | piano | flute
- Sports
- ballet | mountaineering | mountain hiking | stage fencing | fencing | inline skating | running | stand up paddling | yoga
- Special features
- singer | impro | speaker / narrator | dubbing | dance
- Driving licence
- B - Car
| from | to | Play | Role | Director | Casting Director | Theatre | |
|---|---|---|---|---|---|---|---|
| 2021 | I‘M NOT THERE | Bob Dylan | Leif Sandtner | Schloss Reinbek Open Air | |||
| 2005 | CHAOSTHEORIE | Helen Zünd | Ivan Panteleev | Theater Luzern | |||
| 2004 | 2005 | SOBALD FÜNF JAHR VERGEHEN | Stenotypistin | Sebastian Schug | BAT Studiotheater | ||
| 2003 | AGATHA | Agatha | Cornelia Heger | Konzerthaus am Gendarmenmarkt | |||
| 2003 | WERKSTAD / WERKSTATT II | Ensemble | Maijke Schermer, Ko van den Bosch | Schouwburg Rotterdam | |||
| 2002 | BLAUBART - HOFFNUNG DER FRAUEN | Eva | Katja Gaub | Theater an der Winkelwiese | |||
| 2000 | ELEKTRA | Elektra | Christiane Neudecker | BAT Studiotheater | |||
| 1998 | 1999 | SMOKING - NO SMOKING | Rowena, Celia, Sylvie | Rüdiger Michel | Landesbühne Hannover | ||
| 1997 | DIE BESESSENEN | Marja | Ulrich Hoppe, Iris von Kluge | Sophiensaele Berlin | |||
| 1995 | 1995 | Mischas Party | Lydia | Oswald Lipfert | Renaissance-Theater Berlin | ||
| 1993 | 1994 | Der Menschenfeind | Celimène | Hermann Kleinselbeck | Bühnen der Hansestadt Lübeck | ||
| 1992 | 1992 | Die Schöne Fremde | Die Fremde | Yasmine Hoch | Bühnen der Hansestadt Lübeck | ||
| 1991 | 1991 | Germania Tod in Berlin | B.K.Tragelehn | Frei Volksbühne | |||
| 1991 | DER JUDE VON MALTA | Hure | Michael Klette | Freie Volksbühne Berlin | |||
| 1991 | TSCHECHOW-ABEND | Ensemble | Peter Fitz | Freie Volksbühne Berlin | |||
| 1990 | MARAT-SADE | Ensemble | Klaus Emmerich | Freie Volksbühne Berlin | |||
| 1989 | DER TOLLWÜTIGE MUND - Kleist Projekt | Ensemble | Hans Neuenfels | Freie Volksbühne Berlin | |||
| 1988 | LIEBE UND MAGIE IN MAMAS KÜCHE | Peter Palitzsch | Freie Volksbühne Berlin |
| from | to | ||||
|---|---|---|---|---|---|
| Hochschule für Musik und darstellende Kunst, Frankfurt/Main | |||||
| Special features (selection) | |||||
|
<b>THEATER:</b> Engagement an der Freien Volksbühne Berlin, Gastverträge am Luzerner Theater, BAT Berlin, Renaissance Theater Berlin, Sophiensäle Berlin, Landestheater Hannover, Theater in der Winkelwiese Zürich, Konzerthaus am Gendarmenmarkt Berlin, Bühnen der Hansestadt Lübeck, Schouwburg Rotterdam |
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Bensheimer Theaterpreis für "Sobald fünf Jahre vergehen" Studiotheater BAT 2005
